
Delta Chaste Blues: A Complete Guide to the #1343 Valley Yarns Hawley Placemats Knitting Pattern
There is something quietly satisfying about a handknit placemat. It sits at the center of everyday life, beneath coffee cups and dinner plates, absorbing all the small rituals of a household. Unlike a sweater or a shawl, it asks nothing of the person who made it — it simply exists in the room, soft and useful, a small declaration that someone cared enough to make something beautiful for ordinary moments. The #1343 Delta Chaste Blues Placemats knitting pattern in Valley Yarns Hawley is exactly that kind of project: unhurried, generous, and deeply satisfying to work from start to finish.
This guide walks through everything you need to know about this pattern — the yarn, the stitch design, the construction, the color story, and why this particular placemat project has become a favorite among knitters who want to add handmade warmth to their homes without committing to a months-long project.
The Appeal of Knitting Placemats for the Home
Before diving into the specifics of pattern #1343, it is worth pausing to consider why knitted placemats have had such a lasting place in home knitting tradition. Cotton and cotton-blend yarns have long been a staple of kitchen and dining table projects because they are durable, washable, and improve with use. A knitted placemat softens slightly with each wash, becoming more supple over time while retaining its structure.
For knitters who are new to home décor projects, placemats offer a wonderful entry point. They are flat, they are small enough to finish in a reasonable amount of time, and they give you a chance to practice texture stitches, colorwork, or other techniques without the pressure of fitting a garment. For experienced knitters, placemats are a satisfying between-project palette cleanser — something to pick up when you need a rest from a complicated construction but still want your hands to be busy.
Pattern #1343, the Delta Chaste Blues Placemats, takes the simple rectangle and elevates it with a stitch pattern that reads as both classic and contemporary. The name itself suggests the feeling of the finished piece: something cool and clean, with the structural depth that the word “delta” implies — the way a river fans out into something broader and more textured at its edges.
Valley Yarns Hawley: The Perfect Placemat Yarn
The yarn specified for this pattern is Valley Yarns Hawley, a cotton-blend yarn from WEBS — America’s Yarn Store in Northampton, Massachusetts. Valley Yarns is the house brand of WEBS, and Hawley is one of the brand’s most beloved yarns for precisely this type of project.
Hawley is a DK-weight yarn composed of 55% cotton and 45% acrylic. That blend is particularly well-suited to home goods. The cotton content gives it the crisp, cool hand feel that you want for a kitchen or dining table item — it does not feel synthetic or plasticky. The acrylic content adds durability and makes the yarn machine washable, which is not a minor consideration for something that lives on your dining table through pasta dinners and morning coffee. Pure cotton yarns can be prone to stretching out of shape, especially in a flat knitted fabric, but the acrylic in Hawley helps the placemat hold its form through repeated washing and use.
Hawley comes in a generous range of colors, which makes it an excellent choice for the Delta Chaste Blues colorway concept. The “chaste blues” of the pattern title evoke a restrained, sophisticated palette — not navy, not royal blue, but the kind of blue that appears in old linen, in the glaze of salt-fired pottery, in the faded ink of a favorite book. These are blues that work beautifully in a kitchen or dining room setting, sitting quietly alongside natural wood, white ceramics, and the warmth of candlelight.
If you are selecting colors for this project, consider looking at Hawley’s range for shades like periwinkle, slate, wedgwood, denim, or any of the softer blue-gray tones. The pattern’s name suggests a certain amount of restraint — this is not a bold, graphic colorwork project. It is something more contemplative, like looking out a window at an overcast afternoon sky.
Understanding the Stitch Pattern
While the full stitch notation is contained in the pattern itself, the Delta Chaste Blues Placemats are built around a textured stitch pattern that creates visual depth on a flat fabric. Textured stitches work especially well in a single solid color or near-solid colorway because the texture itself becomes the visual interest — the interplay of knit and purl, or slip stitches, or seed stitch borders.
Placemat patterns from this design tradition often incorporate a combination of elements: a clean border (seed stitch or garter stitch are common choices) that prevents the edges from curling, and a central panel of a repeating stitch pattern. Seed stitch borders, in particular, are ideal for cotton-blend yarns because they lie flat naturally and add a pleasant textural contrast to whatever stitch pattern fills the body of the placemat.
The “delta” reference in the title may also hint at a fanning or widening element in the stitch design — perhaps a pattern that suggests movement, the way water spreads across a delta. This kind of geometric or organic visual reference is common in home knitting patterns, where the goal is to make something that feels connected to the natural world even when it is sitting on a very domestic table.
For knitters working through pattern #1343, it is worth taking the time to swatch before casting on. Even though gauge matters less for a placemat than for a fitted garment, getting your gauge right will help you achieve the right finished dimensions. A placemat that is too loose will look limp and may not hold its shape through washing. A placemat that is too tight will be stiff and lose the pleasant, slightly cushioned quality that makes knitted placemats so much nicer to use than woven ones.
How to Approach a Set of Placemats
One of the pleasures of the Delta Chaste Blues pattern is that it is designed as a set. A single placemat is a small, contained project. A full set of four placemats — the standard for most dining tables — becomes something more significant, a coordinated collection of handmade objects that transforms the look of a table entirely.
There are a few ways to approach the repetition of making multiple identical placemats. Some knitters prefer to work through all four in sequence, completing each one fully before moving on to the next. This approach has the advantage of letting you refine your technique as you go — your second placemat will almost certainly be neater than your first, and by the fourth you will be working the stitch pattern on autopilot, which can be a deeply meditative experience.
Other knitters prefer to work all four placemats simultaneously, casting all of them on at the beginning and rotating through them with each session. This requires more organizational attention — you will want stitch markers, row counters, or some other system to keep track of where you are in each piece — but it has the benefit of keeping things fresher. If the repetition of working the same stitch pattern over and over starts to feel monotonous, switching between four in-progress pieces introduces just enough variety.
A third approach, which works particularly well if you are making this as a gift or as a long-term project, is to treat each placemat as a separate project with its own start and finish date. This is especially satisfying if you are making the set for a specific occasion — a housewarming, a wedding gift, a holiday — because you can track your progress toward a meaningful goal.
Tips for Working with Valley Yarns Hawley
Cotton-blend yarns behave differently from wool yarns, and if you are accustomed to working with animal fibers, there are a few adjustments worth making when you switch to Hawley.
First, cotton has no memory. Wool yarns will spring back when you drop a stitch or stretch a section of your work. Cotton will not. This means that you need to be a little more deliberate about your tension as you knit — each stitch should be worked at the same tension as the one before it, because there is no built-in correction mechanism. Many knitters find that their cotton gauge is slightly looser than their wool gauge at the same needle size, because they are unconsciously compensating for the lack of elasticity. Always swatch and measure.
Second, Hawley, like most cotton-blend yarns, is heavier than wool at the same yardage. This weight is not a problem for a placemat — in fact, it contributes to that pleasant flat-lying quality. But it does mean that your hands and wrists may tire more quickly if you are accustomed to knitting with lightweight wool. Take breaks, stretch your hands, and do not try to race through the project.
Third, the acrylic content in Hawley means you should not apply high heat when blocking or finishing the placemats. A gentle wash in cool or lukewarm water, laid flat to dry, will give you the best results. The acrylic will not felt, even accidentally, which is a relief — but it can distort under excessive heat from an iron or a dryer.
For blocking, a simple wet block is all you need. Soak the finished placemat in cool water for about fifteen to twenty minutes, gently squeeze out the excess water without wringing, and lay it flat on a blocking mat or clean towel. Use rust-proof pins if the stitch pattern requires precise shaping, though for most rectangular placemats a careful hand-patting into shape is sufficient. The placemat will dry within a day and will come out beautifully flat and even.
Making the Project Your Own
Pattern #1343 provides the blueprint, but as with any knitting pattern, there is room to make it your own. Here are a few ways to personalize the Delta Chaste Blues Placemats.
The most obvious avenue for personalization is color. The “chaste blues” of the original title suggests a cool, quiet palette, but there is nothing stopping you from making the project in sage green, warm terracotta, or a deep burgundy. The stitch pattern will look equally beautiful in any solid or near-solid color, and choosing a color that speaks to your own kitchen or dining room décor will make the finished set feel even more personal.
If you want to lean into the blues while adding dimension, consider working each placemat in a slightly different shade. Four placemats in four tonal blues — from a pale ice blue to a deep denim — would create a beautiful ombré effect across the table. You would still have a cohesive set, but with the kind of variation that makes a handmade object feel alive.
Another option is to use the basic construction of the placemat as a foundation for additional embellishment. A few rounds of crochet edging in a contrasting color can frame the knitted fabric beautifully. Alternatively, if you knit monograms or motifs, you could add an initial or a small motif to the corner of each placemat to personalize them for a gift.
You can also adjust the dimensions of the finished placemat to suit your own table and needs. Many knitters use this kind of pattern as a template not just for standard placemats but for coasters, table runners (by casting on more stitches and working a much longer rectangle), or even small decorative cloths for side tables. The stitch pattern scales well, and the yarn is versatile enough to work at slightly different gauges without losing its pleasant hand feel.
The Quiet Joy of Home Knitting
There is a particular category of knitting project that experienced knitters return to again and again, not because it is challenging or ambitious, but because it feeds something quieter and more fundamental. Home knitting — placemats, dishcloths, table runners, cushion covers — belongs to this category. It is the kind of work that feels connected to the everyday life of a home in a way that garments, however beautiful, sometimes do not.
When you set a table with handknit placemats, every meal becomes slightly more intentional. The texture under your fingertips as you lay the table, the particular shade of blue that picks up the color of your pottery or your curtains, the knowledge that these small flat rectangles represent real hours of patient work — all of this adds up to something that is hard to quantify but very easy to feel. Guests notice handmade things in a way they do not always notice purchased ones, even beautiful purchased ones. There is a warmth to the handmade that transcends the specific object.
Pattern #1343, the Delta Chaste Blues Placemats in Valley Yarns Hawley, is a project that rewards exactly this kind of slow, purposeful engagement. It is not a project that will push your technical limits or leave you consulting complicated charts. It is a project that will give you something beautiful and useful, something that earns its place on your table and gets better with every washing.
Getting Started with Pattern #1343
If you are ready to cast on, you will need the pattern itself (available through WEBS / Valley Yarns), the recommended Valley Yarns Hawley in your chosen colors, and the needle size specified in the pattern. It is always worth reading through the entire pattern once before beginning, even if it seems straightforward — this gives you a sense of the overall structure and lets you identify any techniques you might want to review before you start.
Gather your materials, find a comfortable spot, and give yourself the gift of an unhurried start. Cast on with care, work the first few rows slowly to establish your tension and rhythm, and let the project unfold at its own pace. A full set of four placemats made in Valley Yarns Hawley represents perhaps four to six evenings of relaxed knitting — long enough to feel like a real accomplishment, short enough to stay satisfying all the way through.
The Delta Chaste Blues Placemats are exactly the kind of project that makes you remember why you started knitting in the first place: the pleasure of a stitch pattern working beautifully under your hands, a lovely yarn in a color that makes you happy, and the slow, satisfying accumulation of something genuinely useful. By the time you lay the finished set on your table for the first time, you will already be thinking about the next set, and who in your life might like to receive one as a gift.
Good things take time, and some of the best things are the simplest. A placemat in Delta Chaste Blues, worked in Valley Yarns Hawley, is both.